![]() | ![]() | ![]() |
![]() | ![]() | |
![]() | Rooster & Catfish Picks | ![]() |
Red Rooster Pick
Catfish Pick
13 - Featuring Lester Butler
Harp player/vocalist Lester Butler brings the same youthful
energy and excitement to this new band that he delivered with
the Red Devils. Nice to hear a new generation of white bloozers
who aren't stuck on being guitar-star bar heroes.
(Hightone)
LaVern Baker - Rock & Roll
(1957) Both sides of five of her top singles, with several
bonus tracks, this is the heart of what made Baker special, that
indomitable voice, pure power arrangements and some of the sweetest
session players of the era.
(Sequel)
Big Maceo - The Bluebird Recordings 1941-1942
Listen to Ray Charles' version of "Worried
Life Blues" and you'll hear almost a direct remake
of Maceo Merriweather's beautiful hit record from 1941.
The great pianist is joined on 15 more tracks by Tampa Red's
guitar.
(RCA)
James Booker - The Lost Paramount Tapes
Even playing a cheezy spinet piano, Booker's brilliance
shines through. He's backed on this West Coast session
by a host of New Orleans transplants.
(DJM Records)
Mary-Ann Brandon - If Love Hurts
Producer/guitarist Fred James heats up the oven for Brandon's
sixth album, providing a rocking blues sound and plenty of his
guitar skills, even sharing vocals on Lieber-Stoller's
"I'm a Hog for You, Baby." Brandon's
written songs for C.J. Chenier and Sapphire (including this disc's
title track), and this great batch will probably find their way
elsewhere.
(Taxim)
Solomon Burke - Rock 'n Soul
(1964) King Solomon's excellent third LP for Atlantic
featured the usual twelve songs, augmented here by eight more
from 1965.
(Sequel)
Boozoo Chavis - Hey Do Right!
"Chavis pretty much puts his money where his mouth
is with Hey Do Right!, an album that adheres closely to
traditional bayou rhythms and riffs." [JB]
(Antone's)
Mick Clarke and Lon Martin - Happy Home
Both members of that legendary '70s blues-rock band
Killing Floor, Clarke and Martin come up with, as Clarke calls
it on the sleeve notes, "kind of a Otis Spann/Big Bill
Broonzy type project," just like you might find over a room-temperature
homebrew in a pub on a lonely London side street.
(Burnside)
The Clovers -
(1957) A killer set of '50s vocal R&B, containing
the 14 sides that made up their first album, plus 8 terrific bonus
tracks. Includes "Lovey Dovey," "Ting-A-Ling,"
"Devil or Angel," "One Mint Julep,"
"Your Cash Ain't Nothin' But Trash."
(Sequel)
Deborah Coleman - I Can't Lose
If you've been wondering why everybody's been
talking about this guitar-slinging former nurse and electrician,
this is the place to find out. Let's just say she won't
be going back to her day job. Coleman's own material matches
her playing skills, and she really funks up Billie Holiday's
"Fine and Mellow."
(Blind Pig)
Ike Cosse - The Lowdown Throwdown
Cosse's got a tight, funky band, a smoky, soft voice
and a down-home style that reminds you of a jazzier Bobby Rush
-- especially on bump-and-grinders like "Doggy Style"
or drunken morality tales like "Bang-Bang Girls."
(JSP)
Jimmy Dawkins - Feel the Blues
(1985) Dawkins' fans will love this session from
a dozen years ago, with the guitar slinger hitting target time
and again with his stinging blues. "Feel the Blues"
and "Last Days" are among tracks that rank with Dawkins'
best work.
(JSP)
Roosevelt Dean - I Don't Wanna Leave You
High-octane, soul-blues sextet raise hell, generally following
wherever Dean's rusty vocals lead. There's plenty
of tasty originals, including a great lost soul song, "Love,"
and the standard "Fever" at double the normal speed.
(Z-K Records)
Willie Edwards - Everlastin' Tears
Whether evoking the ghost of Otis Redding on the stately
"Been a Long Time" or questioning global economics
("Dollar In" and "Read Between the Lines"),
there's a nice soul edge here that I haven't heard
in a long time.
(JSP)
The Fins - Bluesprint
Is this New Jersey's answer to Roomful of Blues?
Not exactly, but when this trio is augmented by a full horn section
you might think so. The 15 covers on their debut CD are done with
style and soul. A homemade gem.
Peter Green - Green & Guitar: The Best of Peter Green 1977-81
Green's recent re-emergence makes this release particularly
timely. It presents nearly 79 minutes of Green's solo work
from an earlier resurrection some eight years after he left Fleetwood
Mac. Though evolved beyond his blues roots, there's still
plenty of feeling evident in this superb artist.
(Music Club)
The Griswalds - All the Way Down
The Griswalds have been mesmerizing the Toledo, Ohio, area
in one form or another for a couple decades now, and they're
ready to take on the world on this set, their first to break outside
local boundaries. Brother Art's stinging guitar and Roman's
Hammond B-3 dominate the action.
(JSP)
The Holmes Brothers - Promised Land
"This incredibly talented and soulful Virginia trio
relies equally on both blues and gospel ... proving good and
evil can co-exist in the same church. Or juke joint." [SK]
(Rounder)
Mark Hummel - Heart of Chicago
"There's not a dud among the 14 cuts, a good
mix of rockin' originals from Hummel and cool covers that
so refreshingly avoid the shopworn." [TS]
(Tone-Cool)
Etta James - Her Best
(1960-67) Beautifully remastered set of 20 of Etta's
classic Chess/Argo sides. Her style was already well-developed
when she went to work with Ralph Bass (producer of 13 of these
tracks) at age 22 in 1960.
(MCA/Chess)
Etta James - Love's Been Rough On Me
At its best, this CD takes us to that remote area where
blues and country music cross paths. She perfectly captures the
sad resignation of Gretchen Peters' title song ("Have
mercy, baby, love's been rough on me") like it was
written specifically for a soul star whose life has become the
stuff of legend.
(BMG)
Jelly Roll Kings - Off Yonder Wall
"There's an offhandedness about how they mesh
and flesh these songs out, the offhandedness of musicians so sure
of themselves that they have nothing to prove." [JM]
(Fat Possum)
Johnny Lang - Lie to Me
This youngster from Fargo moves to the head of the teenaged
blues class with his much-hyped major label debut. (There's
enough of a calculated rock feel here to garner maximum airplay.)
Lang holds his own as a guitarist without excessive flash, but
his singing is a wonder: At 16 he's got the voice old would-be
blues-rockers like Paul Rodgers only wish they had. More to come
from this quarter, for sure.
(A&M)
Little Beaver - The Very Best of Little Beaver
This kind of mid-'70s Miami soul-dance groove wouldn't
normally be reviewed here, but Willie "Little Beaver"
Hale's singing and playing is so soulful I was just
knocked out. And there actually are a couple blues tunes among
these 17 great tracks.
(Sequel)
Billy McEwen and the Soul Invaders -
McEwen has the kind of smoky voice perfectly suited for
the infectious, easy-going R&B that the Soul Invaders put
out, able to encompass John Hiatt's "The Crush,"
"Fanny Mae" and their own songs without breaking
stride.
Big Jay McNeely & Dana Gillespie - Cherry Pie
If, like me, you made out for the first time to "Cherry
Pie," it's a song that always stops you dead. It's
about time someone gave it some justice, and that's where
sax-man supreme McNeely and veteran sultress Gillespie come in,
turning the Marvin and Johnny hit, and the rest of this disc,
into the sexual beast the song always implied. There are plenty
more grooves on this overdue collaboration.
(Big J Records)
R. J. Mischo & the Teddy Morgan Blues Band - Ready to Go!
(1992) Originally released on Blue Moon, this features guitarist
Teddy "Kid" Morgan before he joined the T-Birds and
James Harman. Tough Chicago-style blues with Mischo on harp and
Percy Strother joining him on vocals. Footnote: Pianist Bruce
McCabe wrote the title track of Jonny Lang's Lie to
Me disc.
(Atomic Theory)
John Mooney - Dealing With the Devil
As much as I enjoy Mooney in a band setting, hearing him
play solo is another experience entirely. This 1995 set shows
why Mooney is his own player, whether tearing off a searing hunk
of "Junco Partner" or relocating Robert Johnson's
"Travelin' Riverside Blues." And this version
of "Sacred Ground" scorches the original.
(RufRecords)
Johnny B. Moore - Live at Blue Chicago
Moore sprays out covers like a machine gun over his Blue
Chicago audience with the kind of spontaneity "Turn on
Your Love Light," "Rollin' and Tumblin'"
and "Boogie Chillen" deserve. This should whet the
appetite for a disc of Moore originals.
(Delmark)
The New Birth Brass Band - D-Boy
Looking for a change of pace? Check out this fresh posse
from New Orleans Treme district, the city's famed font
of ghetto funk (and longtime home of Louis Armstrong). The vital
brass band music on this disc is proof that hip-hop hasn't
completely co-opted the next generation of urban youth.
(NYNO)
John Primer - Cold Blood Blues Man
What could be better than a set of blistering electric blues
from one of Chicago's best-known guitar slingers? How about
seven acoustic numbers after the band quits and you're
winding down? That's what you get on John Primer's
third Wolf disc. Don't miss "Malted Milk"
or "Mojo Hand."
(Wolf Records)
Gary Primich - Company Man
Amiable harmonica blues that swing and rock at the same
time; fine unaffected vocals; tasty guitar backing from Shorty
Lenoir.
(Black Top)
Snooky Pryor - Mind Your Own Business
Producer Derek O'Brien and a sympathetic, kick-ass
band mark Pryor's latest Antone's disc, with Pryor
sounding much younger than his 75 years; when it comes to Chicago
blues, he can still keep up with the kids, and then some.
(Antone's)
Kenny "Blue" Ray - Git It!
All-instrumental disc from prolific, top-notch Texas-style
guitarist, covering a lot of bases in mood and tempo.
(Tone King)
Rock Bottom - Tone
Blues pilgrims in Europe and the juke joints of St. Petersburg,
Florida, know Rock Bottom's burly voice and equally beefy
harmonica. All those years on the streets come together on Tone,
especially muscular originals with titles like "Frog Leg
Man" and "Large Women (And Their Skinny Little Men)."
Roomful of Blues - Under One Roof
"Shuffles, slow blues, minor blues, swing tunes,
etc., all done with the polish and panache of one of the blues
world's most venerable ensembles." [BP]
(Bullseye Blues)
Little Mack Simmons - Come Back to Me Baby
(1994) These sessions, with harpman Simmons out front of
John Primer, Detroit Jr., Nick Holt and Earl Howell, have all
the gritty substance and endless variety of good old Chicago blues.
And don't miss his duet with his wife, Georgia, who's
no slouch herself.
(Wolf)
Holland K Smith - Jungle Jane
Swinging jump-blues from a slightly-out-of-whack Dallas
blues and rockabilly trio -- with the best Dallas sidemen
in attendance and Anson Funderburgh on the boards.
(TopCat)
Super Chikan - Blues Come Home to Roost
A pleasant set of down-home blues reminiscent of Slim Harpo
from this Mississippi farmer.
(Rooster Blues)
Irma Thomas - The Story of My Life
Thomas' voice should be in the Smithsonian, and this
disc of new material is just another example why she's
the best-kept secret in New Orleans. Don't miss her chill-down-the-back
take on "Dr. Feelgood."
(Rounder)
Sonny Thompson - Jam Sonny Jam
Compiler Neil Slaven found some as-yet-unissued Thompson
tracks to help create this nice overview of the career of what
Slaven calls "the fixer." Fans of jump blues can't
go wrong with swinging beat of tunes like "Uncle Sam Blues"
or "Screaming Boogie."
(Sequel)
Unidynes - Once in a Blue Room
There's a mighty hip vibe coming outta Junior's
Motel in Otha, Iowa. In the long tradition of blues/rock Midwest
powerhouses, the Unidynes are ready to get your feet on the dance
floor and your head away from your own problems by reminding us
of theirs. Pick hit: "Goodnight, Jesus," which sounds
like a Sticky Fingers-period Rolling Stones.
(Motel Juniors)
Various - 15 Piano Blues and Boogie Classics
Before the electric guitar came to dominate, the piano was
a major element in blues recordings. This disc celebrates that
time with artists from the Arhoolie catalog, including Big Joe
Duskin, Katie Webster, Mercy Dee, Alex Moore, Otis Spann, Pinetop
Perkins, Omar Sharriff and more.
(Arhoolie)
Various - Jumpin' & Jivin'
(1947-54) Shoutin', voutin', honkin'
and jabberin' R&B from the ultra-deep archives of Specialty
Records. Joe Turner, Roy Milton, Bumble Bee Slim, Floyd Dixon,
King Pleasure, Jimmy Liggins are the better-known names on these
25 tracks.
(Specialty)
Various - Sacred Steel
See Catfish Whitey's Pond in this issue. "The
steel-guitar based music of these tiny Pentecostal sects resonates
with a rich sense of history and a vitality that suggests it's
growing still."
(Arhoolie)
Various - Southern Journey Vol. 1-6
See Blue Again/New Again in this issue. "The discs
document Lomax's sojourns, from white Appalachia to the
black Mississippi Delta, from churches to juke joints, porches
to chain gangs." [WR]
(Rounder)
Various - The Best of Fat Possum
This tiny label is barely surviving, but not for lack of
taste or style: Jr. Kimbrough, R.L. Burnside, Paul Jones, Cedell
Davis and the Jelly Roll Kings serve up 11 compelling reasons
why Delta blues, spooky and contemporary as ever, is alive and
flourishing if you just know where to find it.
(Fat Possum)
Various - Too Hot for Me
JSP's John Stedman has gone on a signing tear the
last few years, with the fruits of his labors on ample display
on this smoking 17-track sampler: Louisiana preacher/soul man
T-Bone Singleton; gospel/soul siblings the Holmes Brothers; Ft.
Worth jukemeister U.P. Wilson; raunchmeister Ike Cosse, among
many others. Cream of the crop.
(JSP)
Various - Up Jumped the Blues
Selection of 18 uptempo tracks pulled from John Stedman's
JSP (UK) label includes Buddy Guy, Carey Bell, Larry Garner, U.P.
Wilson, Hubert Sumlin, Phillip Walker, Otis Grand, Guitar Shorty
and lots more.
(Music Club)
Johnny "Big Moose" Walker - Blue Love
®(1984) Evidence reissue adds five tracks and drops two from the Red Beans original. The sound is like you're getting a living-room show after midnight, and piano-man Walker seems to be having a ball, especially the four times he plays Ray Charles tunes, in particular a buoyant "Hallelujah, I Love You So."
(Evidence)
Joe Louis Walker - Great Guitars
An exceptional release featuring Joe and a few of his friends
-- like Little Charlie, Gatemouth Brown, Robert Lockwood
Jr., Ike Turner, Otis Rush, Buddy Guy and more. Scores high in
every area, including Steve Cropper's airtight production.
(Verve)
Miss Lavelle White - It Haven't Been Easy
"Sizzles with finger-popping, house-rocking tunes."
[DR]
(Antone's)
Artie White - Home Tonight
There's something familiar about every one of these
retro tales of mostly failed romance, but White's husky,
impetuous vocals and Muscle Shoals production carry this soul/R&B
spectacular.
(Waldoxy)
Smokey Wilson - The Man From Mars
He may live in L.A. (no, he's not from Mars), but
his playing is still rooted in his Mississippi upbringing. Fiery
stuff, with able backing of Ron Levy, Andrew "Jr. Boy"
Jones and friends.
(Bullseye Blues)
U. P. Wilson - Whirlwind
Wilson's third JSP disc joins him with Jordan Patterson
and his band, and it's a good match, whether smokin'
through "Roll Over" or reminding us that "acid
jazz" ain't no more than groovy blues. The next best
thing to catching what Tim Schuller calls a "blues anarchist"
in one of his Ft. Worth, Texas, haunts.
(JSP)
To be eligible for review in BLUES ACCESS, send two (2) copies of all new releases.
![]() |
![]() |