Rooster & Catfish Picks |
Red Rooster Pick Catfish Pick
Bernard Allison - Keepin' the Blues Alive
Ron Levy's new Cannonball label comes out
blazing with its first release. With his father Luther's
passing, 32-year-old Bernard has been left quite a load to carry
and appears ready and able to shoulder it. (Cannonball)
Marcia Ball - Let Me Play With Your Poodle
"Ball comes across as a hard-headed-but-soft-hearted
gal, hitting a just-right balance between ribald double entendres
and proudly sappy fare." [DM] (Rounder)
Marla BB - Mercy
Marla BB
puts herself out there as a belter, but I tend to prefer the fragility
in her voice on the quieter stuff like "Sugar in My Bowl"
and the lengthy "Stand by Me" over the more obvious
faster numbers on this live-in-New-York recording. (Ascending
Productions)
Lurrie Bell - 700 Blues
Guitarist Lurrie Bell is a man obviously embattled
with his personal demons. It is no small feat that he is able
to harness them for an album of this high quality and intensity.
(Delmark)
Blues Kats - Funja
An impressive pianistic tour-de-force, made even
more so by the realization that Arthur Migliazza is just 16. He's
joined by 17-year-old percussionist Joe Martinez on a half-dozen
originals and covers that range from Mr. B to Benny Golson to
Meade Lux Lewis. A good'un! (Blues Kats)
Bo Diddley - His Best
This gets
the Catfish Seal of Approval only if you don't already
have these 20 essential tracks in your collection. If you don't
--what are you waiting for? (MCA/Chess)
Tommy Castro - Can't Keep a Good Man Down
Castro's
sophomore Blind Pig disc follows in the tracks of its predecessor,
with the same kind of personable, guitar-heavy, Southern-style
blues that has turned heads in the Bay Area the last few years.
Add some nice production touches by Jim Gaines and you've
got a full package. (Blind Pig)
Bill Coday - Can't Get Enough
Coday follows
1995's Sneakin' Back with another solid collection
of soul/blues material. Don't miss the aching duet with
Barbara Carr on the exquisite cheating ballad, "Not a Word."
(Ecko)
Andy Cohen - Oh Glory, How Happy I Am
Andy Cohen
humbly picked 18 of the Rev. Gary Davis' religious songs,
from the familiar ("Samson and Delilah") to the obscure
("Crucifixion") and recorded them with the kind of
respect and conviction they deserve. With copious liner notes
about the songs and Davis' spiritual side. (Riverlark)
Ronnie Earl and the Broadcasters - The Colour of Love
Ronnie stretches from blues to jazz to a Santana-esque
blend of the two, all played with his usual passion. Greg Allman,
Jaimoe and Hank Crawford guest. (Verve)
Terry Evans - Come to the River
While the song selection is just a notch below that
on his superb Puttin' It Down, Evans' rich
baritone injects a gospel soul sound into any material. Ry Cooder
and Juke Logan (on two songs) are the best known members of the
top-notch band. (Audioquest)
Deitra Farr - The Search Is Over
This is Deitra's first solo release, though
she's no stranger to the Chicago faithful from her work
with Dave Spector and Mississippi Heat, among others. Guitarist
Johnny Rawls leads the band thru a nice mix of straight-ahead
and soul blues. (JSP)
Lowell Fulson - Think Twice Before You Speak
(1984) Recorded with Lowell's touring band
while he was on a European swing. Perfectly understated as usual,
it's a welcome addition to the Fulson canon on CD. (JSP)
Gene Harris - In His Hands
The accomplished jazz pianist attempts to bridge
the gap between gospel and blues on a dozen spirituals. The results
are truly inspirational. The various vocalists pour on the soul
and Brother Jack McDuff makes his churchly presence known on organ.
(Concord Jazz)
Homesick James - Words of Wisdom
Another set
of boozy, Fred James-produced slide guitar masterworks from one
of the last of the first generation of bluesmen, as unrepentant
and rascally as ever. (Priority)
Howlin' Wolf - His Best
The Howlin' Wolf hit parade: If you don't
have these already, something is wrong with you, but here they
are on one disc with great remastered sound. Willie Dixon wrote
half the 20 tunes. (MCA/Chess)
Eddie King - Another Cow's Dead
If you like
your guitar playing in-your-face Chicago-style and your songs
wild and woolly, slightly out of control with a good dose of soul,
this former Koko Taylor guitarist's latest is just the
place to find it. (Roesch)
Louisiana Red/Lefty Dizz - Walked All Night Long
"Red and Dizz's two-guitar dynamic
is one of the most unusual in the blues annals on this cliché-free
album." [WR] (Blues Alliance)
Tony Mathews - Condition: Blue
This former
guitar sideman for Ray Charles and Little Richard knows his way
around a riff, and he smokes his way through these 10 tracks.
Pick hits: "Comin' Home to You." (HMG/High
Tone)
Jay McShann - Hootie's Jumpin' Blues
See Catfish
Whitey's Pond page 10. "The legendary bandleader,
with the eager and able help of the Duke Robillard Band, is making
some of the best music of his life, and it's not just a
nostalgia trip, either." (Stony Plain)
Nuno Mindelis - Texas Bound
True to its
title, this Euro-bred Johnny Winter sound-alike and trio is in
an Austin, Derek-O'Brien-inspired groove from beginning
to end, with guests like Lou Ann Barton and Steve James stepping
in for a song or two. (Eldorado)
Barbara Morrison - I'm Gettin' 'Long All Right
Classic big-band,
soul-blues-jazz arrangements from a classic singer (ex- of the
Johnny Otis Band) and some of L.A.'s finest. As she explains
during "I'm Getting 'Long All Right,"
she's not Jim Morrison's sister and she's
not doing bad, either; she's easily able to turn from the
big band "That Old Black Magic" to Bill Withers'
"Use Me" without breaking a sweat. (Chartmaker)
Paula and the Pontiacs - 30 By 90
In the liner
notes, Paula Rangell admits that these songs mark the passage
of a period of her life, and there's a certain mature blues
perspective to much of 30 By 90, not hurt one bit by her
brothers' saxophone guest shots. (Pontiac Productions)
Rod Piazza and the Mighty Flyers - Tough and Tender
What else
can you say that hasn't already been said about Piazza?
Great harp tone, terrific songs (skip to the title track or "Scary
Boogie"), nice production touches, drum-tight Mighty Flyers
and sassy Miss Honey on the keys. Turn it up. (Tone Cool)
Raw Hide With Gary Sloan - Gypsy Moon
A Serbian
blues band who got hooked up with Gary Sloan gets down-home, up-front
and dirty. Pick hit: "Doin' My Thing," which
laments not finding real blues in Arkansas, but finding it in
instead in their own backyard. (Commerce)
Kenny "Blue" Ray - In All My Life
"This bearded blues boy has it all: phrasing,
chops, musical ideas that stretch forever -- and tone."
[JJ] (JSP)
JT Red - Smokin' Cat Blues
Pop soul/blues/rock
from what appears to be a teenage band with good instincts is
better than I would have been ready to admit. They're definitely
green, but their naivete works in their favor most of the time,
especially the faux soul of "Cryan' Shame,"
the earnest acoustic Delta-style introduction to "River's
Flow" and their decidedly blue-collar lyrics ("Too
Broke to Pay Attention"). (Gem Tam)
Knut Reiersrud - Tramp
Stunningly recorded disc of original compositions
(all African derived) by the Swedish acoustic guitarist with three
traditional blues (one featuring the Blind Boys). Reminiscent
of the kind of project Ry Cooder would do in both concept and
execution. Highly recommended for the adventurous, but probably
pretty hard to find. (Kirkelig Kulturverksted)
Roy Roberts - Every Shade of Blue
This former
sideman for Solomon Burke, Eddie Floyd and Otis Redding has the
same kind of vocal chops and a guitar style that matches the passion
of these 12 original songs. (King Snake)
Jimmy Rogers - Complete Chess Recordings
Quietly slipped in with all the Chess 50th anniversary
"Best of" collections is this long-awaited gem. Here
are all 51 recordings made between 1950 and 1959 (including 10
seeing the light of day for the first time) by this superb guitarist/vocalist.
Jimmy (who still tours) is the real deal. (MCA/Chess)
Billy Sheets - Please Tell Me Why
Sheets -- who is practically a Roy Brown soundalike
-- breathes fresh life into eight '50s and '60s
jumpin' R&B classics. (Big Clock)
Little Mack Simmons - High & Lonesome
Veteran South Side harp man shows what serious
Chicago blues is all about. Tuff backing includes Studebaker John,
Big Mojo Elem, Erwin Helfer and Twist Turner. (St. George)
Fillmore Sims - It's Going to Be My Time After While
Sims (a k a Clarence "Guitar" Sims,
formerly Fillmore Slim) will most likely never be the kind of
superstar that he envisions himself, but he's still the
kind of bluesman you wish you could go hear in your hometown.
He was a vocalist for L.C. "Good Rockin' "
Robinson before doing some federal time in the early '80s.
(Uptown Video)
Jo-El Sonnier - Cajun Pride
Bookended
by the "Lake Arthur Special" and a chugging, swamp
version of Chuck Berry's "Johnnie Fais Bien,"
Cajun Pride lives up to its ambitious title, a platter
of fiddle tunes, blues and waltzes with plenty of hot sauce, all
tributes to his musical role models. (Rounder)
Otis Spann With Muddy Waters and His Band - Live the Life
This addition
to the Spann catalogue is a good 'un, six songs recorded
during a Martin Luther King tribute in 1968 with Muddy and Willie
Dixon, a handful of others with Muddy and a band and a couple
odd tracks mixed in from the same period. As Dick Shurman notes
on the sleeve, Spann reminds us "great blues is as much
about giving the music and beat a chance to breathe as it is about
in-your-face high energy." For pure blues, you can't
beat this. (Testament)
Gary Rex Tanner - Feel the Heat
Easy-going,
smart blues duo doing their thing with a sly sense of humor from
the far edges of the music business. Inspirational verses: "Hey
headshrinker, analyze this song," and" "I've
got my timing and my lines down, just to get a good review." (Little
Frog)
Hans Theesink - Crazy Moon
Theesink
recorded the basic tracks in Vienna and ferried the tapes to musicians
he wanted to work with in Austin, Dublin and L.A.. Despite the
hard traveling, most of this has the feel of a late-night acoustic
jam session, anchored by Theesink's bass vocals and guitar
playing. Can't have much of a better time than this, from
the accordion-charged "Paint the Town" to the J.J.
Cale-sounding title track. (Ruf)
Tre and the Blue Knights - Blues Knock'n Baby
Trying to
keep your music in a traditional vein without being labeled retro
is a tricky business, but Tre manages to walk the fine line of
his ancestry (his father is L.V. Banks) from the opening ballad
"Heart and Soul" to the boogie instrumental that
shuts this thang down. (BMI/Spoonful)
Various - Working on a Building: A Collection of Resonator & Bottleneck Gospel Blues
The disc's title refers not only to the spiritual
of the same name, but to the fact that it is a benefit CD for
Habitat for Humanity. Nine musicians -- led by producer
Michael Hakanson-Stacy -- work out on the type of "sacred
blues" you might have heard from Blind Willie Johnson or
Gary Davis. (Time & Strike Inc.)
Various - A Tribute to Leadbelly
This recording
of friends gathered together on a night in 1975 to remember the
great songwriter and performer, among them, Arlo Guthrie, Pete
Seeger, Brownie McGhee and Sonny Terry, is a good addition to
the Leadbelly legacy. (Blues Alliance)
Various - Songs of Janis Joplin: Blues Down Deep
In a few months, Janis will have been gone for as
long as she was alive (27 years). Scary thought, huh? Gone, but
not forgotten, as the numerous stellar performances prove on a
tribute disc that really works. Etta James gets the plum of "Ball
and Chain," but Tracy Nelson, Otis Clay, Lou Ann Barton,
Willie Kent are standouts among an outstanding cast -- although
Koko Taylor can't find the melody of "Get It While
You Can." (House Of Blues)
Junior Wells - Live at Buddy Guy's Legends
Highly charged stage set of nothin' but blues
(i.e., no JB funk imitations) from the 62-year-old harp master.
His reptilian band ("Fingers" Iguana on organ, Stevie
Lizard on guitar!) features a punchy horn section. (Telarc
Blues)
Andre Williams Chicago Blues & Rhythm Band With the El Dorados - Fat Back & Corn Liquor
Andre Williams
proclaims the Gospel of the Salacious on this wild and woolly
ride through the land of Double Entendre ("Mother Fuyer")
and Excess ("Put a Chain on It"). Or as Williams
puts it so succinctly, "Fuck the orange juice, just give
me the gin." (St. George)
Mighty Joe Young - Mighty Man
" What
he has achieved at this juncture of his career is a thoroughly
updated and complementary musical style." [JO] (Blind
Pig)
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